Picture of JeanPierre Léaud
1. Jean-Pierre Léaud: this figure, this presence, this symbol, this persona, this actor - a performer who is histrionic and naturalistic, transparent and opaque, pliable and inflexible. He is himself, he is his character Antoine Doinel, he is New Wave cinema incarnate, he is the past-in-the-present, the past remembered and re-evaluated.
JeanPierre LÉAUD Biographie et filmographie
Jean-Pierre Leaud, French screen actor who played leading roles in some of the most important French New Wave films of the 1960s and '70s, particularly ones by Francois Truffaut. Those included a series of movies about Antoine Doinel: The 400 Blows, Love at Twenty, Stolen Kisses, Bed and Board, and Love on the Run.
JeanPierre Leaud in Closing Ceremony Red Carpet Arrivals The 69th Annual Cannes Film
Jean-Pierre Léaud. Highest Rated: 99% The 400 Blows (1959) Lowest Rated: 33% The Pornographer (2001) Birthday: May 28, 1944. Birthplace: Paris, France. In his first major film role as Antoine.
How JeanPierre Léaud Tackled His Best Role Since ‘The 400 Blows’ IndieWire
Jean-Pierre Léaud, ComM is a French actor, known for playing Antoine Doinel in François Truffaut's series of films about that character, beginning with The 400 Blows . He also worked several times with Jean-Luc Godard and Aki Kaurismäki, as well as with other notable directors such as Jean Cocteau, Pier Paolo Pasolini, Bernardo Bertolucci, Catherine Breillat, Jerzy Skolimowski, Agnès Varda.
JeanPierre Léaud — The Movie Database (TMDB)
Made in U.S.A is a 1966 French crime comedy film written and directed by Jean-Luc Godard, and starring Anna Karina, László Szabó, Jean-Pierre Léaud, Marianne Faithfull, Yves Afonso, and Jean-Claude Bouillon.It was a loose and unauthorized adaptation of the 1965 novel The Jugger by Richard Stark (an alias of Donald E. Westlake), and was also inspired by the 1946 Howard Hawks film The Big.
Jean Pierre Leaud French new wave, Hey handsome, French cinema
stylistic innovations/traits: Jean-Pierre Léaud was born in 1944 in Paris and has nearly 100 film credits to his name - including twenty (20) archiveable films. The total screen time of those twenty (20) films may be closer to an actor with ten (10) or twelve (12) archiveable films with all of the cameos and shorter appearances.
jeanpierreleaudmasculinfeminin Vague Visages
Gérard Xavier Marcel Depardieu (UK: / ˈ d ɛ p ɑːr d j ɜː, ˌ d ɛ p ɑːr ˈ d j ɜː /, US: /-ˈ d j ʌ, ˌ d eɪ p ɑːr ˈ dj uː /, French: [ʒeʁaʁ ɡzavje maʁsɛl dəpaʁdjø] ⓘ; born 27 December 1948) is a French actor, known to be one of the most prolific in film history.He has completed over 250 films since 1967, almost exclusively as a lead. Depardieu has worked with over.
JeanPierre Léaud
Jean-Pierre Léaud might be best known for his performance aged 14 in Francois Truffaut's debut feature, The 400 Blows; however, the actor has since had an exceptional career, starring in over 100 films spanning more than six decades.In the 1960s, Léaud's continued collaborations with Truffaut and Jean-Luc Godard made him a key face of the French New Wave alongside actors such as Anna.
French Actor JeanPierre Léaud to Receive Honorary Palme d’or at Cannes Film Festival VIMooZ
Jean-Pierre Léaud (born May 28, 1944) is a French actor, best known for playing Antoine Doinel in François Truffaut's series of films about that character, beginning with The 400 Blows (1959). He also worked with Aki Kaurismäki, Pier Paolo Pasolini, Jacques Rivette, and Tsai Ming-liang. He is a significant figure of the French New Wave, having appeared in eight films by Jean-Luc Godard and.
JeanPierre Léaud zum Siebzigsten Der ewige Jüngling Kino FAZ
Jean-Pierre Léaud played the 12-year-old lead in this and the five successive Doinel films, a role which was to define his entire life. Like Truffaut, Doinel is a truant, a delinquent, a kid from.
JeanPierre Léaud
"Jean-Pierre is at once an actor and his aura."—Olivier AssayasIf the French New Wave had a face, it might be the beaky, piercing-eyed visage of Jean-Pierre Léaud. In 1959, at age fifteen, Léaud appeared as Antoine Doinel in François Truffaut's The 400 Blows; over the next two decades, he would play alter ego not only to Truffaut, but to a whole generation that grew up (or failed to.
Cannes 2016, JeanPierre Léaud de retour sur la Croisette
Jean-Pierre Léaud. Actor: The 400 Blows. Jean-Pierre Léaud is not everybody's cup of tea for sure, but will remain an important name in film history. As an actor he can be adored or hated for exactly the same reasons: he is one of those rare players that directors let improvise his dialogue, which gets on certain viewers' nerves while it fascinates others.
The 87th Best Actor of AllTime JeanPierre Léaud The Cinema Archives
Jean-Pierre Léaud, ComM (French: [ʒɑ̃pjɛʁ le.o]; born 28 May 1944) is a French actor, known for playing Antoine Doinel in François Truffaut's series of films about that character, beginning with The 400 Blows (1959). He also worked several times with Jean-Luc Godard and Aki Kaurismäki, as well as with other notable directors such as Jean Cocteau, Pier Paolo Pasolini, Bernardo.
Day For Night JeanPierre Leaud 1973 Photo Print
Jean-Pierre Léaud is to the French New Wave what Anna Magnani was to Italian Neorealism and what John Wayne was to American westerns: its spirit, its emblem, its avatar. The actor, who last year received the Cannes Film Festival's Honorary Palme d'Or in recognition of a career spanning nearly 60 years, first broke through as François Truffaut's on-screen surrogate Antoine Doinel in.
JeanPierre Leaud Photos Photos 'The Search' Premieres at Cannes Zimbio
It is Jean-Pierre Léaud's finest hour. This article was amended on 14 July 2017. An earlier version said Louis XIV's heir was his grandson. This has been changed to say great-grandson. A.
Une Palme d'or d'honneur pour JeanPierre Leaud Challenges
Jean-Pierre Léaud est un acteur français, né le 28 mai 1944 à Paris.. À l'âge de quatorze ans, il est révélé par François Truffaut qui lui confie le rôle d'Antoine Doinel, le héros turbulent du film Les Quatre Cents Coups. À la suite de ce film, il fait sensation au festival de Cannes 1959 et Jean Cocteau, son président d'honneur, l'engage aussitôt pour Le Testament d'Orphée.
